[問題] OG12-CR-102
Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century.
The director claims that this production is as similar to the original
production as is possible in a modern theater. Although the actor who plays
Harlequin the clown gives a performance very reminiscent of the
twentieth-century American comedian Groucho Marx, Marx’s comic style was very
much within the comic acting tradition that had begun in sixteenth-century
Italy.
The considerations given best serve as part of an
argument that
(A) modern audiences would find it hard to tolerate certain characteristics of
a historically accurate performance of an eighteenth-century play
(B) Groucho Marx once performed the part of the character Harlequin in
La Finestrina
(C) in the United States the training of actors in the twentieth century is
based on principles that do not differ radically from those that underlay
the training of actors in eighteenth-century Italy
(D) the performance of the actor who plays Harlequin in La Finestrina does not
serve as evidence against the director’s claim
(E) the director of La Finestrina must have advised the actor who plays
Harlequin to model his performance on comic performances of
Groucho Marx
我的思路是以下(有錯請大力指正):
(A):他提到modern audiences沒有辦法忍受characteristics of....跟文章沒有關係-刪
(B):文章跟GM有沒有演出也沒有關係-刪
(C):談到美國如何訓練actors-irrelevant刪
(D):
(E):
我選的是E，
請大大指正E為何不可以成為argument的一部份而D可以
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