[CR. ] OG13-104
104. Theater Critic: The play La Finestrina, now at Central Theater, was
written in Italy in the eighteenth century. The director claims that this
production is as similar to the original production as is possible in a
modern theater. Although the actor who plays Harlequin the clown gives a
performance very reminiscent of the twentieth-century American comedian
Groucho Marx, Marx's comic style was very much within the comic acting
tradition that had begun in sixteenth-century Italy.
The considerations given best serve as part of an argument that
(A) modern audiences would find it hard to tolerate certain characteristics
of a historically accurate performance of an eighteenth-century play
(B) Groucho Marx once performed the part of the character Harlequin in La
Finestrina
(C) in the United States the training of actors in the twentieth century is
based on principles that do not differ radically from those that underlay the
training of actors in eighteenth-century Italy
(D) the performance of the actor who plays Harlequin in La Finestrina does
not serve as evidence against the director's claim
(E) the director of La Finestrina must have advised the actor who plays
Harlequin to model his performance on comic performances of Groucho Marx
不太懂這題要怎麼解.....
help me with this one~ 謝謝!!!!
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